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Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Video
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Saturday Night Live: The Curse of Frankenstein
Subject
The topic of the resource
A humorous take on Frankenstein's monster.
Description
An account of the resource
This famous skit from “Saturday Night Live” is a short but effective take on Frankenstein’s encounters with people, but with humor mixed in. In this skit, Frankenstein (Bill Hader) attempts to misdirect the leader of a village mob (Hugh Laurie) into leaving him alone, either by sending him after Dracula (Jason Sudeikis) or by turning his own mob against him.
The skit maintains the themes of appearance, identity, and human perception from the book, while remaining a classic humor-filled SNL skit. You don't have to know much about Frankenstein to enjoy this video!
Creator
An entity primarily responsible for making the resource
Jeremiah Morin
Source
A related resource from which the described resource is derived
https://www.youtube.com/watch?v=gYZCDuWIDZw
Publisher
An entity responsible for making the resource available
Saturday Night Live
Date
A point or period of time associated with an event in the lifecycle of the resource
Original air date: 2006
Youtube upload: August 14, 2013
Type
The nature or genre of the resource
Comedy
Format
The file format, physical medium, or dimensions of the resource
Youtube video
2006
21st century
comedy
contemporary
creature
digital
Frankenstein
Mary Shelley
monster
parody
popular culture
twenty-first century
video adaption
YouTube
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Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Book in Print
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Scooby-Doo and the Frankenstein Monster</em>
Subject
The topic of the resource
A child's first exposure to Frankenstein's creature.
Description
An account of the resource
Similar to the plot of many Scooby-Doo books, <em>Scooby-Doo! and the Frankenstein Monster</em> tells the story of Scooby and the gang who are trying to find the Frankenstein creature because he stole a valuable piece of jewelry. Frankenstein’s creature chases the others around and is trying to scare them away, but it is ultimately discovered that it is a familiar face in a costume. <br /><br />This children's book, published in 2000, is the first time the next generation of students will be exposed to Dr. Frankenstein's creation. <em>Scooby-Doo! and the Frankenstein Monster</em> gives a false sense of the creature because Scooby-Doo portrays Frankenstein’s creature as a voiceless, brute of a character which contrasts Mary Shelley’s fully articulate, emotional creature. The creature in Scooby-Doo is purposefully trying to scare the other people there to get his way, but Shelley’s creature tries to stay out of sight because he knows how people would react. One thing that the Scooby-Doo book does get right is that it is Frankenstein’s creature, and that the creature is not Frankenstein. <br /><br />This book, which also premiered as a TV episode, allows Shelley’s character to live on, even if it is not true to her original work. By appealing to children and serving as a platform for the creature, Scooby-Doo allows Shelley’s work to continue to impact readers everywhere.
Creator
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Meagan Wander and Skylar Kleinschmidt
Publisher
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Scholastic Inc.
Date
A point or period of time associated with an event in the lifecycle of the resource
Copyright 2000
Contributor
An entity responsible for making contributions to the resource
James Gelsey
Language
A language of the resource
EN-US
Type
The nature or genre of the resource
Children's Literature
Source
A related resource from which the described resource is derived
This book was found in Shepherd Public Library
Format
The file format, physical medium, or dimensions of the resource
Print
21st century
chapter book
children's literature
creature
fiction
first exposure
Frankenstein
mask
popular culture
primary education
print
Scooby-Doo
twenty-first century
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2eeb1dbde1807182c96f800573319b13
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Life</em> Magazine - Frankenstein: the Man, the Monster, the Legacy
Subject
The topic of the resource
Celebrating 200 years of Frankenstein
Creator
An entity primarily responsible for making the resource
Hunter McLaren
Publisher
An entity responsible for making the resource available
Published by LIFE BOOKS, an imprint of Time Inc.
Date
A point or period of time associated with an event in the lifecycle of the resource
October 12th, 2018
Language
A language of the resource
English
Description
An account of the resource
This entire edition of <em>Life</em> magazine dedicates itself to celebrating 200 years of Frankenstein, as well as uncovering why the monster has lasted such a long time. The publication is split into three sections, the first titled “A Monster is Born” explores the life and trials of Mary Shelley, and the circumstances that led her to create a novel that would have a lasting grip on cultures across the globe. This section features several stunning pieces of art history and even a bit of Greek mythology. The next section is labeled “Frankenstein Becomes a Star” and ventures into the world of cinema, detailing the countless film adaptations of Shelley’s riveting novel. This section is littered with iconic black and white film stills as well as colorful movie posters that all contribute to the longevity of the monster and it’s lasting presence in the world of broadcasting and cinematic arts. The third and final section, aptly named “The Monster Who Won’t Die” takes a look at how this iconic creature jumped from literature, to film, to an entire array of platforms like sitcoms, musicals, comic books, and even classic comedy. Frankenstein has been warped and re-animated in a hundred different ways as a non-human actor moving freely through space and time, appearing in children’s cartoons and burlesque shows, inspiring musical productions and even crossing cultural borders and transcending ideas of nation and state. The publication itself acts as an exhibition, coming into contact with several other items in this digital exhibit. This piece truly does a wonderful job of capturing the creature in its many forms across these past 200 years, and is a crucial piece of a larger collection that explores why a monster created by a teenage girl has shaped the world forever.
creature
film
Frankenstein
halloween
horror
life
magazine
Mary Shelley
monster
movies
popular culture
science and ethics
science fiction
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Memoirs of Elizabeth Frankenstein
Creator
An entity primarily responsible for making the resource
Gabi Seida and Jessica Mayhew
Publisher
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Random House Publishing
Date
A point or period of time associated with an event in the lifecycle of the resource
April 25, 1995
Contributor
An entity responsible for making contributions to the resource
Theodore Roszak
Description
An account of the resource
Rescued from an impoverished life among the Gypsies, raised by a remarkable noblewoman of Geneva, Elzabeth Lavenza was much more than a foster sister to Victor Frankenstein. Together, they forged a sensual bond and entered a world of mythical lore. Theodore Roszak reveals the stunningly passionate story Mary Shelley herself had dared not write.
Theodore Rozak’s The Memoirs of Elizabeth Frankenstein alters the perspective from which the original story is told. The audience witnesses the monstrous consequences of masculine scientific hubris as he places Victor and Elizabeth within a counterculture alchemical nature cult, in which the masculine scientific rhetoric of control, power, and influence, are replaced by terms such as “community”, “harmony” and “respect”. In doing so, Roszak brings to the foreground the latent dissident potential into focus. Roszak also uses the story of Frankenstein as a talking point for cultural issues. In the story, Elizabeth is raped by Victor, yet she is still forced to marry him. The Memoirs of Elizabeth Frankenstein brings the classic story to the 21st century, highlighting issues we see in today’s society.
Rights
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All rights belong to Theodore Roszak
Language
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English
Type
The nature or genre of the resource
Novel
Subject
The topic of the resource
Erotic Novel
Source
A related resource from which the described resource is derived
The image came from Goodreads.<br /><a href="https://www.goodreads.com/book/photo/35254.The_Memoirs_of_Elizabeth_Frankenstein">https://www.goodreads.com/book/photo/35254.The_Memoirs_of_Elizabeth_Frankenstein</a><br /><br />Information that was used and sourced from<br /><a href="http://booksandjournals.brillonline.com/content/books/b9789401200011s025">http://booksandjournals.brillonline.com/content/books/b9789401200011s025</a>
Format
The file format, physical medium, or dimensions of the resource
Print. Also available as an E-book.
adaptation
adaption
erotic
erotic fiction
Frankenstein
Mary Shelley
monster
novel
print
twentieth century
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c54572be6d11668d4e3ab067c4ad00d0
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Comic Book
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Marvel Comics' Creation of Frankenstein
Subject
The topic of the resource
Illustrations and Popular Culture
Creator
An entity primarily responsible for making the resource
Nick Kisse and Sarah Werth
Source
A related resource from which the described resource is derived
This image came from Marvel Comics' official website.
(https://www.marvel.com/comics/characters/1011356/frankensteins_monster)
Information that was used and sourced from:
(https://www.jstor.org/stable/23509428?seq=2#metadata_info_tab_contents )
Publisher
An entity responsible for making the resource available
Marvel Comics
Date
A point or period of time associated with an event in the lifecycle of the resource
August 10th, 1975
Language
A language of the resource
English
Type
The nature or genre of the resource
Comic Book
Description
An account of the resource
Frankenstein's Monster first appeared as part of an Atlas Comics publication in September of 1953, and made his official debut in Marvel Comics after the purchase of Atlas Comics in August of 1969. Within the comics, the Monster’s background is the same as Mary Shelley’s novel, with his Marvel story picking up after he has awoken from a frozen slumber. In the comics, Frankenstein initially starts out as a villain, hunting the alleged descendants of Victor Frankenstein in order to satiate his lingering desire for revenge. In his limited series, the Monster eventually experiences a shift from his new villainous persona back to his original one from Shelley’s novel. Afterwards, he is widely considered to be a hero by other characters in the comic universe, and he is occasionally called on for help by characters like Spiderman and Doctor Strange.
By blending Shelley’s novel and Universal films of the 1930’s, Marvel Comics is able to portray the Monster as physically similar to the film interpretations of Shelley’s work, while also staying true to the character that Shelley created at the time of the novel’s publication. His incorporation into further comics beyond his limited series also shows that there is still a prominent interest in Frankenstein’s Monster, and Marvel Comics has continued to explore his character as recently as 2007.
Rights
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All Rights Belong to Marvel Comics
Format
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Print
20th century
artwork
comic
contemporary
creature
fiction
Frankenstein
illustration
monster
popular culture
print
revenge
science and ethics